Los Estereotipos
Join us for a high-energy night celebrating Latin alternative music. Doors open at 8 PM with a Spanish-language DJ spinning classics and favorites to get the party started. 1- Opening the night is Socrates y Los Panas, one of the only established bands in Omaha dedicated primarily to Spanish-language rock. They bring to life the anthems that defined generations of rock en español, blending powerful covers with fresh original material that carries the same spirit of rebellion, romance, and rhythm. 2- Closing the evening is Los Estereotipos, one of Omaha’s few established Spanish-language ska bands, delivering high-energy, dance-driven performances that light up every stage they step on. With infectious horn lines, driving rhythms, and an unmistakable Latino pulse, they fuse classic ska influences with the vibrant sounds of Latin America.
Elijah
Damones
CONCRETE BOYS
Concrete Boys is a hip-hop collective founded by Atlanta rapper Lil Yachty in 2020, known for blending energetic trap flows with melodic, crew-driven chemistry. The group features Draft Day, Camo!, Dc2Trill, Honest, and Rio Amor as their DJ, each bringing a distinct voice and style to their collaborative sound. Their new album ‘It’s Us Vol. 2’ marks the next chapter in their rising presence in hip-hop.
I Love R&B Party
🎤 I LOVE R&B PARTY! 🎶 The Ultimate R&B Party Experience Get ready to sing, sway, and vibe all night long as I LOVE R&B brings the heat across the country! This is not your average party—this is a full-blown celebration of the greatest era in R&B music. From 90s throwbacks to early 2000s favorites and today’s smoothest hits, our DJs and MCs are bringing nothing but vibes. Expect packed dance floors, sing-along anthems, champagne poppin’, and feel-good energy in every city. Whether you’re celebrating with the crew or pulling up solo, this is the party you won’t want to miss. 🔞 Must be 21+ to enter
Spiritworld
With Helldorado, the third installment of SPIRITWORLD’s death-western trifecta, chief hombre Stu Folsom takes the listener deeper into a world where the hot desert sun beats down on his singular vision of the American West as a gateway to hell. “It’s a different album than the past two,” says Folsom of the thematic and sonic journey that began with the Las Vegas band’s 2020’s Pagan Rhythms LP and continued with 2022’s Deathwestern. Now the story rides on in a cloud of dust and a spray of blood with his latest offering. Helldorado blasts the Mojave-born bloodlust and stomping, tomahawk riffs SPIRITWORLD won their brutal, horrific vision of the Old West with, while riding straight into macabre Americana. Helldorado not only tightens the reins on SPIRITWORLD’s riff-riding attack that has won the band “most played” stature at Sirius XM’s Liquid Metal, but also looks over its shoulder—cigarillo dangling from a sun-parched lip—at their punk-driven outlaw country origins. Folsom and his gang first assaulted Vegas Elks Lodges in 2017 on a mission to brand country music with a manic singalong energy cultivated over years in the local hardcore scene. “Dwight Yoakam probably meant as much to me growing up as Black Flag or Slayer did,” says Stu. With country in his soul and metal in his veins, Folsom yearned for the power of the riff. This found him teaming with producer/mixer Sam Pura, who has produced all three SPIRITWORLD records, to unleash Pagan Rhythms, first on the tiny independent label Safe Inside Records. The buzzed-about debut caught the eye of Century Media Records, who signed the band and issued the album worldwide a year later. The reaction to the record, which drew comparisons to the likes of Slayer and Integrity, was overwhelming. It was the purity of Folsom’s vision that won raves from the likes of Gary Holt and Max Cavalera of Soulfly, who praised the band on social media. Helldorado is the next chapter of Folsom’s cycle of Western weirdness, drawing inspiration from his own published literary work, Godlessness, a collection of short stories rooted in Lovecraftian horror and Louis L’Amour’s classic tales of the American West. “Stigmata Scars,” featuring additional guitar work by Frédéric Leclercq of Kreator, digs even deeper into SPIRITWORLD’s horrific lyrical vistas. SPIRITWORLD live is where the rubber meets the road for Stu Folsom and crew. Taking the stage in embroidered, rhinestone-studded jackets and Stetson hats, the energized fivesome is literally Elvis’ Wrecking Crew from hell. From their inaugural stint on Decibel Magazine’s branded tour with Obituary and Municipal Waste in early 2022, to North American runs including a co-headline tour with metal legends Kreator and Sepultura, as well as hardcore heroes Stick to Your Guns and European festival appearances at the UK’s Bloodstock Open Air and France’s Hellfest, the band has built a formidable live reputation. “The mentality on some of these tours is literally ripping a page from Ramones or Against Me!—don’t stop, no stage banter, just rip your songs.” One thing’s for sure: SPIRITWORLD is back with an album that is as much Sergio Leone as it is Slayer. When asked to sum up where it’s all going, Stu Folsom steps back, considers the question, and answers plainly: “Straight to hell, my friend. Straight to hell.”
Anthony Gomes
With a guitar slung over his shoulder and the amps turned up full tilt, Anthony Gomes electrifies blues and rock at a 21st century crossroads of his own. The Canadian vocalist, guitarist, songwriter and producer wails with all the force of a hurricane in the Mississippi Delta and enough fret-burning fireworks to leave his strings in flames. Over the years, he’s toppled the Billboard Blues Chart at #1, earned the endorsement of legends such as B.B. King, tallied tens of millions of streams, and packed shows on multiple continents. In 2026, Gomes is back supporting his #1 blues rock album, Praise the Loud, with a world tour that includes stops in 17 countries. “I’ve learned how to embrace my voice as a guitarist and as a singer,” he states. “I understand who I am, and I use my strengths to my advantage. I have a blues soul and a rock ‘n’ roll heart. I love to jump back and forth between both with a modern day approach. When I play rock, it’s got a little more dust on it.” Born and raised in Toronto, Ontario, he fell in love with music as a kid, listening to everyone from Muddy Waters and Jimi Hendrix to Jeff Beck and Eddie Van Halen. At 14 years old, Anthony gravitated to the guitar and his relationship with the instrument was born. After grinding it out, his chops caught the attention of B.B. King’s bus driver at a jam night. Blown away, the driver introduced him to B.B. who invited him to open up a string of tour dates in 2005. Gaining invaluable knowledge from “The King,” he went on to share the stage with the likes of Buddy Guy, Robert Plant, Joe Bonamassa, Heart, Sammy Hagar, Kenny Wayne Shepherd, and more. Along the way, his concert attendees have included Academy® Award winner Morgan Freeman, John Goodman, and Vince Vaughn as well as Eric Clapton, to name a few. Meanwhile, Total Guitar listed Gomes as ‘One of the 100 Greatest Blues Guitarists of All Time’ in 2024. Guitar World readers voted him one of “The 30 Best Blues Guitarists in the World Today” in 2019, and the publication noted, “Gomes is another power player who is at his best when his gear is in the scorched earth between blues and rock.” Anthony’s latest release, Praise the Loud, delivers 12 fresh studio tracks that showcase Anthony’s musical evolution while staying true to the no-holds-barred sound that has earned him a global fanbase. “I still believe in a world of guitar heroes,” he smiles. “I strive for a world where you don’t have to be 19 years old to sell a lot of records and tickets and to make a statement. I’m one of those people who doesn’t think rock, or the blues is dead. I’m looking for fresh ways to bring them together. I’m at the table rolling the dice all in the name of blues and rock ‘n’ roll. I know there’s never been a more exciting time for music, and I’m here for the journey.”
Noah James & Tyler Anthony
Roger Clyne and The Peacemakers
“Here’s to life!” Fans around the world can be found singing the chorus of the Roger Clyne-penned fan favorite “Mekong” and toasting their glasses in unison to celebrate life through rock-n-roll. But the inspiration for the song dates back to the time Roger went to Taipei, Taiwan, as a college student to teach English during the day and busk with his guitar at night for money. Today, as Clyne prepares to release his 11th studio album, he continues to transform his life experiences, inspirations, observations and his own muses into timeless music. And whether he’s wearing his Converse high tops, boots or sandals, Clyne’s blend of punk rock, americana, indie-pop and mariachi influences have made him, drummer PH Naffah, guitarist Jim Dalton and bassist Nick Scropos – collectively known as Roger Clyne & The Peacemakers – one of America’s best live rock-n-roll bands. Starting with the seminal Tempe quartet, The Refreshments, Clyne and Naffah put the fun in rock & roll during the 90s grunge era with a sense of humor. They also started what would become a trademark sound on all future albums by adding mariachi horns, something Clyne was influenced by while in college studying Cultural Anthropology with an ethnography study of mariachis during a three month Spanish-immersion stay with a local family in Ensenada, Mexico. The Refreshments’ debut album, “Fizzy, Fuzzy, Big & Buzzy,” became a cult classic. Changes within their record label and internal band issues resulted in Clyne and Naffah going on a vision quest of sorts in the Whetstone Mountains near the Clyne Ranch in Southeastern Arizona. It was there that Clyne found inspiration in the rolling hills and the jukeboxes of small town taverns that still played Marty Robbins and Johnny Cash – music he had shed from his youth in favor of bands like Camper Van Beethoven & They Might Be Giants. But after reconnecting with those old country records, Clyne and Naffah wrote and recorded under a new moniker what would become Roger Clyne & The Peacemakers’ debut album, “Honky Tonk Union.” The album was the perfect combination of classic rock and twang, and fans immediately connected with it. Their independent release, “Honky Tonk Union,” debuted at No. 1 on Billboard’s Internet Album Sales chart in 1999 prompting a call from a Billboard exec to their Manager demanding, “Who the hell is Roger Clyne and why is he #1 on my chart?!” beating out much better known artists that week like Santana, Creed, Nine Inch Nails, Melissa Ethridge and 311. RCPM released eight more albums that landed in the top ten of Billboard’s Internet Album Sales chart, including a No.1 debut for their third album, “¡Americano!” – all without the backing of a major record label and while flying under the radar of commercial radio. Currently, they just finished their next album, “Hell to Breakfast.” The first single hit streaming on November 21st, 2025, the second single will drop Jan 9th, 2026 and the album launches March 6th, 2026. Roger Clyne & The Peacemakers have toured all over the US and achieved a faithful following through hard work and great music. They have done this all while being independent, without the safety net of a label or a label’s radio promotion department. Dubbed “The Springsteen of the Southwest,” by the Asbury Park Press the band delivers exciting live performances that garner declarations like the one from emcee Jay Peterman of the Seinfeld TV show at Alice Cooper’s annual Christmas Pudding event, “Young man, you light that stage a-flame!”
Blade Rave
THIS PERFORMANCE IS AGES 18+ Step into the Vampire underworld as Blade Rave turns our venue into a reimagined night inside the iconic Bloodbath rave scene from the film Blade. Arrive early, stay late, just be on the look out for Vampires. This event includes DJS playing a mix of goth / techno / house and additional sub-genres of EDM, GoGo Dancers dressed to impress and ready to bite Themed cocktails and limited Blood Bags Event photos + video recap posted on bladerave.com Cosplayers Customized visuals created by @deadeyesart A midnight bloodbath Suggested Attire: goth / industrial / steampunk / vampire / super hero cosplay Please note, if you are in the crowd during the blood bath, you may get wet. “Blood” is washable but there’s always a small chance it may leave a stain. For a refresher on the iconic scene from the original 1998 Blade Movie:https://www.youtube.com/watch?v=XZd7eptgdfQ