Concerts – Waiting Room Lounge

The Album Party performs NIN + DEVO

ONE NIGHT ONLY! The Album Party performs Nine Inch Nails’ Downward Spiral + DEVO’s Q: Are We Not Men? A: We Are Devo. Not to be missed is an opening set by the one and only DJ Crabrangucci — join us for this electric halloween bash! Costumes encouraged!

I Love R&B Party

🎤 I LOVE R&B PARTY! 🎶 The Ultimate R&B Party Experience Get ready to sing, sway, and vibe all night long as I LOVE R&B brings the heat across the country! This is not your average party—this is a full-blown celebration of the greatest era in R&B music. From 90s throwbacks to early 2000s favorites and today’s smoothest hits, our DJs and MCs are bringing nothing but vibes. Expect packed dance floors, sing-along anthems, champagne poppin’, and feel-good energy in every city. Whether you’re celebrating with the crew or pulling up solo, this is the party you won’t want to miss. 🔞 Must be 21+ to enter

Black Stone Cherry’s Bonfire Nights: An Acoustic Evening

Black Stone Cherry are a band in the truest sense of the term. Almost twenty years on from their incendiary self-titled debut, plus eight albums – including six UK Top 20 hits as well as four top 25 US radio singles over the past two albums – and scores of devoted fans worldwide, the Kentucky foursome retain the fire and camaraderie of their teenage selves. They are a truly collaborative force, in a way that few other bands at this level are. Hard rockers of enormous heart. Four accomplished songwriters with rock, metal, roots, blues, soul and hip hop in their blood. Old friends with an instinctive, compassionate sense for what each other is feeling. On Celebrate – produced by the band and recorded at High Street Studios in Bowling Green, Kentucky – they embody all this at the height of their powers. There’s happiness and heartache. Muscular hooks and raw soul. The life experiences of four men approaching forty (two of them parents), in one emotive, unpolished diamond of a record. Six commanding, stage-ready original tracks and an inspired cover of Simple Minds’ Don’t You (Forget About Me) featuring Tyler Connolly (Theory Of A Deadman). Celebrate’s roots stem from the road, where (in true Black Stone style) riffs and lyrics cropped up in soundchecks and tour-bus journeys across the world. In early 2025 they began meeting at guitarist Ben Wells’ home studio, two days a week, to write together in earnest. It was a rewarding experience. Surrounded by band posters, Star Wars figures and Elvis memorabilia – and with Wells’ three beagles as their first critics – they fleshed out ideas, often swapping instruments to nail the best ones. Celebrate grooves, flows and rocks with the passion and attention to detail of a band who care deeply – and who listen to a lot of music. It’s there in the issues they address. The poise and introspection of these songs, married with pummelling intensity. The sassy wordplay of Up Down, a sexy, bass-swaggering rocker peppered with nods to Nelly, Ludacris and other early 00s hip hop legends. The suckerpunch Audioslave-style production values, implemented throughout the record by Chris, who mixed it with longtime engineer Jordan Westfall and assistant Mark Owens. “Hearing the final stream, you get giddy when you listen back to it,” Ben enthuses, “because you’re like, ‘man, I know that our fans are gonna love it because it is just as ferocious and old-school sounding, but also very new and adapted.’ I’m just really pumped about it.” “I mean shoot, we’ve been making records for a long time now,” drummer John Fred Young says. “We’re so lucky to have so many great fans worldwide. People want to hear the old songs, but they also want us to keep making new music. So that’s a reason to celebrate, you know? We’re very thankful, and we’re super proud of this new music.” No one in Black Stone Cherry takes what they have for granted, least of all their fans. They’ll play to thousands in an arena or festival field, followed by a 100-capacity pub, and put on the exact same show. You can feel it in Celebrate; the sense that their hearts are totally invested, their priorities clear. Time spent with loved ones. Supporting one another. Connecting with audiences. Music that makes you feel something. No polish, no faking it, just moments that matter. “It’s an unpolished diamond,” Chris concludes, simply.

Leanna Firestone

Leanna Firestone is a Nashville, Tennessee based singer songwriter and multi instrumentalist known for candid, diaristic indie pop. Her songs often draw from uncomfortable memories, awkward moments, and personal experiences, pairing confessional lyrics with acoustic driven production. She began building an audience during the pandemic by sharing original music on TikTok while studying Commercial Songwriting at Middle Tennessee State University. In 2021, her song “Strawberry Mentos” gained traction on the platform, becoming the lead single of her debut EP, Y/N, which has since gained tens of millions of streams across platforms. Firestone has continued to release music steadily, including her album Forward / Slash (2022), the EPs Public Displays of Affection and Good Grief (2023), and fan-favorite single “Becoming Unbecoming” (2024). In 2025, she released her live EP An Evening with Leanna Firestone (Acoustic at The Deli) and toured with Natasha Bedingfield. Her latest album, The Answer, featuring the lead single “Victory Lap,” was released in May 2026, followed by the first leg of her headline tour across the US and Toronto. With the first half of the tour now complete, Leanna’s second “lap” is set to begin in November 2026.

The Lemonheads: The Love Chant Tour

The Lemonheads returned in 2025 with Love Chant (out via Fire Records, October 24th), their first studio album in nearly two decades – a bold, melodic reaffirmation of Evan Dando’s singular songwriting voice. Written across continents and recorded primarily in São Paulo, Brazil, where Dando now resides, Love Chant finds the frontman reconnecting with longtime collaborators while introducing new creative voices. It’s a record of fresh starts and familiar sounds – emotionally raw, melodically rich, and unmistakably Lemonheads. The new album features contributions from J Mascis (Dinosaur Jr), Juliana Hatfield, Tom Morgan, Bryce Goggin, Erin Rae, and Nick Saloman of The Bevis Frond. It’s a diverse but coherent work – from the full-throttle hooks of “Deep End” to the spectral softness of “The Key Of Victory,” and the Modern Lovers-like drive of the title track. Co-released alongside Dando’s forthcoming memoir Rumours Of My Demise (via Faber, November 6th), Love Chant marks both a return and a reckoning – the sound of an artist who’s lived, lost, and located the thread once again. Formed in Boston in 1986, The Lemonheads have long thrived on that intersection between chaos and charm. With a revolving cast built around Dando’s melodic instincts and ragged charisma, their early punk roots were forged across three scrappy albums on local label Taang! before signing to Atlantic Records and releasing 1990’s Lovey. It was on tour for that record in Australia where Dando connected with Tom Morgan and future bandmate Nic Dalton – a meeting that reshaped the band’s songwriting and sound. Their commercial breakthrough came with 1992’s It’s A Shame About Ray and 1993’s Come On Feel The Lemonheads, both records that married punk energy with melodic pop, and established Dando as one of alternative rock’s most compelling figures. National TV appearances followed, and so did the tabloid glare – by the late ’90s, the music sometimes took a backseat to Dando’s unpredictable, chaotic public persona. He disbanded The Lemonheads in 1997 following a turbulent performance at Reading Festival. In 2003, he released his acclaimed solo album Baby I’m Bored – quieter and more introspective, it hinted at a new phase. But it wasn’t long before The Lemonheads were reborn. In 2006, a self-titled album marked a head-on collision of wordy ’70s punk and cosmic country, followed by Varshons (2009) and Varshons 2 (2019), two mixtape-like collections of cover versions that spanned Townes Van Zandt to GG Allin, Leonard Cohen to The Bevis Frond – always with the same emotional clarity and melodic magnetism that defines Dando’s output. Over the years, The Lemonheads’ shape has shifted – Descendents, Dinosaur Jr, Blake Babies and members of Fuzzy have all passed through the ranks – but at its core has always been Dando’s songwriting: wry, vulnerable, catchy, and true. With Love Chant, that core burns brightly once more. Recent years have only deepened the band’s influence. Artists like Courtney Barnett, Waxahatchee, Phoebe Bridgers and MJ Lenderman cite The Lemonheads as touchstones, covering their songs and praising their emotional candor and melodic economy. As Record Collector noted, “The Lemonheads have always been recognised as purveyors of grade-A pop punk.” Or, in Rolling Stone’s words: “Few bands have been able to walk the line between the angst of grunge and the warmth of folk quite as elegantly as The Lemonheads.”