Giovannie and the Hired Guns

Since their inception in 2015, Giovannie and The Hired Guns have made a blockbuster career out of wildly defying expectations. With a visceral sound that merges alt-metal, Red Dirt country, Latin pop, Americana, and much more, the Stephenville, Texas-based five-piece have ascended from playing local honky-tonks to taking the stage at major festivals and arenas across the country, drawing an ardent crowd ranging from cowboys to metalheads to skate punks. As they continue their colossal rise—a journey that’s included scoring a No. 1 radio hit with their smash single “Ramon Ayala” and winning the 2023 iHeartRadio Music Award for Best New Artist in Alternative & Rock—Giovannie and The Hired Guns now return with their new album Land of the Lost: a body of work that pushes the boundaries with even more intensity, matching its explosive riffs and unforgettable hooks with the band’s most brutally honest songwriting to date. Produced by Johnny K (Megadeth, Sevendust, Plain White T’s), Land of the Lost marks the fourth full-length from Giovannie and The Hired Guns (frontman Giovannie Yanez, guitarists Carlos Villa and Jerrod Flusche, bassist/tuba player Alex Trejo, and drummer/pianist Milton Toles) and second LP since signing with Warner Music Nashville through a first-of-its-kind partnership with Warner Music Latina. While the band have always brought a powerful emotionality to their lyrics, the album embodies an unfiltered urgency that has much to do with Yanez’s processing a number of life-altering troubles in real-time, including the death of a close friend and his own relapse into addiction. Recorded at the famed Sonic Ranch (a residential studio near the Mexican border in Tornillo, Texas), Land of the Lost ultimately supplies the kind of catharsis that can only come from exorcising your demons and bravely moving toward a better future. “When I first listened back to this album I realized I wasn’t all there for some of the songs; I was so blinded by the suppressants that I thought were helping me out,” Yanez admits. “But it feels good to look back and know that I made it out to the other side. I hope it ends up helping people realize that there’s always hope no matter how bad things seem. There’s always a tomorrow.”

Moms Unhinged — Standup Comedy Show

Adult themes and language. Seated show.  21+Join us for a night of laughter as we explore everything from motherhood, midlife crisis, marriage, divorce, online dating, and other things that irritate us. Men are welcome to the show, too. Moms Unhinged has been selling out shows all over the country and is coming BACK to Omaha with a brand NEW lineup of mom comedians. We do clean (ish) comedy and this is a fun night out with your girlfriends, drinking club (I mean book club), neighborhood group or your own mom. Headliner Stephanie McHugh has been featured on Nick at Nite’s TV Show “America’s Funniest Mom” and regularly performs on cruise ships and all over the country.

Wannabe – A Spice Girls Tribute

Stop. Close your eyes. Take a moment to remember. Do you recall a time, not so long ago? A time of innocence? A time of simplicity? A time of Dunkaroos, Beanie Babies, bubble chairs, white eye-liner, Ring-Pops, bucket hats and bicycle shorts? Let’s be honest…It’s no secret that the 90’s were by far the most colourful, dynamic and entertaining decade of all. It really felt as though life couldn’t get anybetter… Then along came the Spice Girls. It was 1996 when the hit song “Wannabe” swept the world in a swell of pre-teen, bubble-gum hysteria. Ginger, Baby, Scary, Posh and Sporty became the new faces of pop music and girls (boys too!) everywhere were instant fans! With 65 million records sold world-wide, the Spice girls became the best selling girl-group of all time. It was total Spice-Mania! Fast forward twenty years or so, and millennials are all grown up. Now, more than ever, people are feeling an urge to reminisce. With 90’s nostalgia in full swing and talks of a Spice Girls reunion circulating online, there happens to be a new group in town that aims to satisfy the world’s absolute craving for SPICE! Wannabe has been thrilling audiences and blowing the roof off concert venues across NorthAmerica for the past 10 years. With giant personalities, mega-watt singing voices, spot-on choreography, costume changes, English accents and platform shoes, these powerhouse women have brought Girl Power into the 21st century with their larger-than life epic shows. Wannabe is the brainchild of a group of Toronto based performers and musicians who also just happen to be best friends.The idea for Wannabe was born one summer when the girls were crammed in a house together performing in a summer musical, right around the start of 90’s nostalgia.The girls went to work. After an intense period of “Spice GirlsTraining”, which included studying concert footage and music videos, creating choreography, arranging songs and harmonies, assembling a six-piece backing band, and rehearsing for several months, Wannabe was ready to hit the stage for what they thought would be a one-off concert for friends and family at the legendary Toronto venue, The El Mocambo. They were wrong. The show sold out and the band hasn’t looked back since.

all:Lo Collective

Omaha! all:Lo is going on tour this Spring. Catch parkbreezy, TF Marz, pheel, & Thought Process at The Waiting Room on April 19th 2025. 

Shinjuku Strays Cabaret

Shinjuku Strays Cabaret is back at The Waiting Room with an event filled with the beauty & terror of all sorts of fantastical creatures, monsters and cryptids. Some mythical, some Legendary, and some that will chill your bones more than the weather outside! Prepare yourself for Cold Hearts : A Chilling Creature Feature Cabaret! Join us on Sat January 11th, 2025 at 8:00PM at The Waiting Room in Benson. Come dressed in your most monstrous attire, as your favorite cryptid, or simply something legendary! Settle in for a night of blood chilling, skin walking…. we mean skin crawling entertainment!   Purchase VIP tables for reserved close seating to the stage, or VVIP tables for front row seating and 3 raffle tickets per person!

Teenage Bottlerocket

They’ve toured the world countless times. They kept the leather jacket-and-Converse look alive through an increasingly neon landscape. They’ve written songs about KISS, Top Gun and Minecraft. Hell, they’ve even been on CNN a few times! Please welcome back to the spotlight Wyoming’s own…Teenage Bottlerocket! With more than 100 original songs already in their catalog, how does the band stay motivated when they’re eight records deep? “We’re always in competition with ourselves,” Carlisle explains. “The real competition is between me and Kody. It’s like, ‘You wrote a song that destroys everything else on this record. Let me try to do that to you real quick. How’s that feel?” And then he comes back and one ups me.“It’s all about the songs,” he continues. “The songs carry this record all the way. That’s not to say there are bad songs on our other records—we have a hard time releasing a shitty song. But these songs are especially great. You know ALL’s best-of record where Allroy is dissecting a musical note? I felt we kind of tapped into that record in a great way, not in a ‘Oh no, they’re experimental now!’ way. This is a Teenage Bottlerocket record through and through, but there’s a lot of hidden elements.”  Carlisle’s pride about their latest album, Sick Sesh!, is obvious, but he’s not the only one who loves the album. “Fat Mike called me and said, ‘Hey, this is your best record,” Carlisle recalls. “I said, ‘Cool,thanks for noticing.’”    Given that the band is already two decades old, however, is there any chance of the band slowing down? Carlisle shoots that idea down right away.“I want to have the best next 10 years,” the singer says. “We’ve grinded the grind. Now we get to actually enjoy being a band, and not think too much about different ways to try and ‘make it.’ We’re riding this wave we built ourselves. I wanna surf it for another 10 years.”Well there you have it: The three things in life you can always count on are death, taxes and Teenage Bottlerocket.

Bennie & The Gents: Bennie Does Bowie IX

Testing, testing, ground control to Major Tom. It is that time again ladies and gentlemen when Bennie & The Gents spend an entire evening paying tribute the only and only David Bowie. This show has grown to be legendary and is an epic evening of music and showmanship. Do not miss out on this special one night only event.

George Clanton

George Clanton doesn’t just produce gleaming electronic pop, he produces nostalgia too. The Los Angeles artist’s process involves tweaking synthesizer presets, but beyond searching for the right melodies and textures, he’s hoping to come upon a sound that strikes a spiritual chord. “I’m looking for something that triggers a memory or an emotion,” he says. His lyrics are direct transmissions from his soul: raw, often off-the-cuff, evocative. When you pair those words with the gauzy textures Clanton’s become known for, his music feels like a dreamy filter you can put over your own memories. Every moment feels a little more colorful, a little more comforting. You can hear the impact of this approach in his upcoming third album—take fuzz-pop anthem “Fucking Up My Life.” The track is both raucous and soothing, and as Clanton’s distorted croons echo across swelling synths and crushing breakbeats, he offers a mantra: “It feels alright.” It’s a fitting return for an artist who’s spent the last decade cutting through the noise. In addition to making music, he runs the 100% Electronica record label with his fellow pop mutator and wife Negative Gemini. He also spearheads events, including weekly livestreams on Twitch. Being extremely online has allowed Clanton’s fans access to the depths of his personality, to connect with his work more deeply. “I think of myself as the ultimate DIY person,” he says. “Working the George Clanton way has made for a really unique career that hasn’t yet been fully recognized.” Growing up, Clanton knew he wanted to be an entertainer, but he didn’t know how. His hometown of Ridgeway, Virginia, had a NASCAR track but no concert venues or record stores. So MTV was his primary education: videos by artists like 311, The Prodigy, and the Bad Boy Records crew taught the art of showmanship. He downloaded a lot of music from Limewire. During one session, a mislabeled download of what he thought was Oasis turned out to be shoegaze band Brian Jonestown Massacre, opening him up to the vast world of underground music on the internet, which led him to help form the scene that would dream up vaporwave. Clanton’s new album finds him both musically and personally matured. It’s an elegant merging of all his past musical selves—of stirring rock, sweeping shoegaze, and niche electronics—augmented with more complex layers and physical instruments. It’s also a journey inwards as Clanton emphasizes personal reflection and self-improvement—themes he’s held close his whole career. “It’s definitely something that I need to get out,” he says of the music. “I want people to know that George Clanton is better than ever and something amazing is coming just around the corner.”

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