Paddy’s Rave
AGES 18+ Hear your favorite Paddy’s Day hits, Y2K classics & EDM. Find the greenest clothes you have❗ Bring the PLUR vibes 💚, shamrock-shake that ass and find the pot of gold at the end of the rainbow🌈. U2 will get Lucky! ☘️🤞
Letdown.
DONT USE Paddy’s Rave
AGES 18+ Hear your favorite Paddy’s Day hits, Y2K classics & EDM. Find the greenest clothes you have❗ Bring the PLUR vibes 💚, shamrock-shake that ass and find the pot of gold at the end of the rainbow🌈. U2 will get Lucky! ☘️🤞
Zero 9:36
Adapting to any setting, Zero 9:36 has toured alongside Shinedown, Neck Deep, Hollywood Undead, Three Days Grace, Asking Alexandria, Nothing More, Bullet For My Valentine, Wage War, The Plot In You, and many others. Zero has made festival appearances at Welcome to Rockville, Louder Than Life, Inkcarceration, and many others. His collaborations are an eclectic list including Travis Barker, grandson, Hollywood Undead, Atreyu, The Warning, and Scarlxrd. Zero 9:36 proudly occupies a lane of his own and in the process has amassed over 50 million streams across DSPs.
James McMurtry and the Martial Law Review
James McMurtry released The Black Dog and the Wandering Boy on June 20th via New West Records. The 10-song collection was co-produced by McMurtry & Don Dixon (R.E.M., The Smithereens) and is his first album in four years. It follows his 2021 acclaimed new West debut, The Horses and the Hounds, which UnCut Magazine said “lifts storytelling-in-song to meticulous new levels” and Pitchfork awarded an 8.0, saying “James McMurtry stands out even among the Lone Star State’s finest songwriters…” The Black Dog and the Wandering Boy features appearances by Sarah Jarosz, Charlie Sexton, Bonnie Whitmore, Bukka Allen and more, alongside his trusted backing band, THE MARTIAL LAW REVIEW, Tim Holt on guitar and accordion, Cornbread on bass and Daren Hess on drums. As varied as they are, McMurtry’s new story-songs find inspiration in scraps from his family’s past: a rough pencil sketch by Ken Kesey that serves as the album cover, the hallucinations experienced by his father, the legendary writer Larry McMurtry, an old poem by a family friend. A supremely insightful and inventive storyteller, McMurtry teases vivid worlds out of small details, setting them to arrangements that have elements of Americana but sound too sly and smart for such a general category. Funny and sad often in the same breath, The Black Dog and the Wandering Boy adds a new chapter to a long career that has young songwriters like Sarah Jarosz and Jason Isbell cite him as a formative influence.
Space To Play
Struggle Jennings
When Worlds Collide
Alpha Wolf
In the ever-evolving sonic landscape of Alpha Wolf, their music transforms like a shapeshifting beast, defying expectations and breaking through boundaries with the weight of wrecking-ball dynamics and captivating off-kilter hooks. The Australian quintet—Scottie Simpson [guitar], Sabian Lynch [guitar], Lochie Keogh [lead vocals], John Arnold [bass], and Mitch Fogarty [drums]—maintains their intensity on their third full-length offering, Half Living Things [SHARPTONE]. “We never want to write the same album twice,” explains Scottie. “Half Living Things is still heavy, but we’re venturing into new territory. Lochie sounds like a force of nature on this too. We considered the live show more than ever, creating parts specifically for crowd involvement. These songs are built to ignite the stage.” With a decade of sparking visceral reactions from audiences, Alpha Wolf crashed into the Top 30 of the ARIA Albums Chart with Mono [2017] and followed up with the Fault EP two years later. A Quiet Place To Die [2020] debuted at #6 on the ARIA Albums Chart, earning a nomination for “Best Hard Rock or Heavy Metal Album” at the ARIA Awards. KERRANG! rated it “4-out-of-5 stars,” and Hysteria hailed it as “a mosh-worthy record that puts high hopes on the band’s future.” Distorted Sound called it “one of the great extreme/hardcore records of recent memory.” Their journey included North American tours with Motionless In White and Knocked Loose and a performance at KNOTFEST Australia alongside Slipknot, Parkway Drive, Megadeth, and more. In 2023, they meticulously crafted Half Living Things, self-producing and weaving together a visceral vision after years on the road. The album title perfectly encapsulates their state of being. On the album’s essence Lochie comments, “There can be no inner conflict without the constant tug of war between desire and disdain, the things you want versus the things you need, or the things that make you feel alive against the parts of it that do not. You cannot grow new parts without leaving the dead ones behind. You cannot be settled until you have truly known the opposite. Find out what makes you tick and just keep running around the clock until you’re happy enough to die.” The album kicks off with the neck-snapping chug of the opener and first single, “Bring Back The Noise,” where gnashing harmonics and Lochie’s high-pitched screams punctuate waves of distortion. Scottie grins, “The lyrics fit how we perform live. The more we tour, the more fun we have on stage. ‘Bring Back The Noise’ encapsulates everything we are.” “Sucks 2 Suck” hinges on a head-nodding groove, giving way to a bludgeoning bounce on the bridge. Lochie, the vocalist, adds depth to the track with his perspective, “It’s about biting back at anyone saying you didn’t work hard for the shit you have. If you had the ethic and tenacity, you’d have it too, but you suck so you don’t.” The legendary rapper Ice-T pulls up with a vibrantly venomous verse, and in his instantly recognizable delivery, he warns, “You coming for me? You gotta come better than that!” “It’s the perfect crossover of hip-hop and metalcore,” Scottie goes on. “We decided to shoot for the stars and reach out to Ice-T. We gave him no reference, but he did exactly what we were hoping for! It’s classic. In their own terms, Alpha Wolf continues to progress, and Scottie leaves off with a message: “We hope it connects. We’re incredibly proud of this record. It’s everything we want Alpha Wolf to be. These songs are heavy, but they’re fun. Jam it in your car, show it to your friends, and come out to a show.”
Free Throw
Moments Before the Wind VIP Experience Includes: One (1) General Admission ticket Invitation to pre-show experience with Free Throw, including: Intimate pre-show acoustic performance (2-3 songs) One (1) personal photo with the band Exclusive poster, signed by the band Exclusive VIP merch gift Commemorative VIP laminate Merchandise shopping prior to doors opening to the public Early entry into the venue Limited availability Moments Before the Wind VIP Merch Bundle Includes: One (1) General Admission ticket Exclusive poster, signed by the band Exclusive VIP merch gift Commemorative VIP laminate Merchandise shopping prior to doors opening to the public Priority entry into the venue Limited availability Since forming in 2012, FREE THROW’s story has been simple: keep going. New records, longer tours, bigger rooms – it’s always been another step upward for the Nashville-based quintet, whose 2014 debut, Those Days Are Gone, has become an era-defining classic in the emo-punk genre, launching them onto global tours with Hot Mulligan and New Found Glory and slots at Slam Dunk, Riot Fest, and The Fest. Every milestone has pushed them ahead, but on their sixth LP, Moments Before The Wind (Wax Bodega), that constant charge gradually slows, suspended mid-step, mid-thought, mid-life. Recorded with longtime producer Brett Romnes on either end of the sold-out Those Days Are Gone 10-year tour, the follow-up to 2023’s Lessons That We Swear To Keep chronicles a surrealist descent into liminality: a period of intense personal upheaval colored by loss, renewal, reflection, and, ultimately, life-altering joy through the impending birth of a child. The 11-song set is disarmingly real, colored by sonic spontaneity – a swirl of Midwest emo, sweat-soaked punkfervor, and crashing alternative rock – but also the sort of achingly vulnerable lyricism fans and critics have come to expect from the band. Through it all, Moments finds Free Throw still moving, still growing, but now, perhaps more than ever, acutely aware that the path ahead is neither straight nor obvious. There’s a quiet confidence guiding them there into a brand-new era, ready for whatever the wind blows their way.