Dad Rock Night (2000s Rock Tribute)

Join us for a night of covers of all your favorite dad rock hitsincluding:    3 Doors Down, Creed, Nickleback, Audioslave, Three Days Grace, Shinedown, Papa Roach, Puddle of Mudd, Matchbox Twenty, Hoobastank, and more!!! 

Selwyn Birchwood Album Release Party

Award-winning visionary bluesman Selwyn Birchwood will release Electric Swamp Funkin’ Blues, his sixth Alligator Records album. Rolling Stone calls Birchwood “a remarkable, contemporary bluesman…a powerhouse young guitarist and soulful vocalist.” Now, this mesmerizing guitarist, lap steel master and cinematic songwriter unleashes the powerful new self-produced album, Electric Swamp Funkin’ Blues, further blazing his own musical trail. The album will be available on CD, translucent yellow vinyl LP, and at all digital service providers. Electric Swamp Funkin’ Blues features 10 wildly imaginative, laser-focused, vibrant original songs, produced by Birchwood and recorded in Florida. From the wide-open honesty of Damaged Goods to the up-to-the-minute observations of All Hail The Algorithm and Talking Heads, Birchwood and his band play with honest, emotional intensity. On Labour Of Love he looks at the pains and joys of parenting, while The Struggle Is Real serves as an anthem for our times. Birchwood’s tough, slide guitar opus, What I’ve Been Accused Of, the slow burning, romantic Soulmate and the blazing Should’ve Never Gotten Out Of Bed, all show Birchwood as one of contemporary blues’ most prolific, significant and innovative artists. Electric Swamp Funkin’ Blues is Birchwood’s own fully realized artistic statement, and the first of his Alligator albums that he has produced by himself. “Producing allowed me to really take the wheel and steer the music to the exact destinations that I wanted to go. It allowed me to present these songs with the full, three-dimensional sound that I have wanted all along. This album is the full realization of the sound I have been cultivating. It tiptoes the tightrope between gritty gutbucket blues and contemporary grooves to create a soundscape that honors the roots but allows listeners to experience the music from a modern vantage point. Sharing songs with this much honesty allows us all to connect to music on a higher level…to feel a little less isolated and a little more ‘seen’ in what can be a hard life at times.” Live, Birchwood is a true force of nature. A favorite among blues fans and jam band fans alike, his ability to win over an audience—any audience—is proven night after night. With his warm, magnetic personality, Birchwood is as down-to-earth as his music is electrifyingly jaw-dropping. With his band feeding off his energy, the 6’3” musician roams the stage barefoot, ripping out memorable guitar licks with ease, his soulful, rocks-and-gravel vocals impossible to ignore. When he sits down to play his signature model Caladesi lap steel, he magically lifts the crowd into a sweat-soaked state of blissful elation. Mega-star Joe Bonamassa raves, “Selwyn Birchwood has become one of my favorite discoveries. He puts on a great show.” Says Birchwood, “You would be hard-pressed to find an album or a band that sounds exactly like mine, and that has been and always will be the goal. I pride myself in writing songs so that when you hear a band like us, you hear a band that sounds just like…US!” According to Guitar World, “Blues star Selwyn Birchwood is the real deal. He puts his own fresh spin on the blues, taking the tradition and making it into something new.” $20 or just $10 for BSO Members! Memberships available at the door.

Paddy’s Rave

AGES 18+ Hear your favorite Paddy’s Day hits, Y2K classics & EDM. Find the greenest clothes you have❗ Bring the PLUR vibes 💚, shamrock-shake that ass and find the pot of gold at the end of the rainbow🌈. U2 will get Lucky! ☘️🤞

DONT USE Paddy’s Rave

AGES 18+ Hear your favorite Paddy’s Day hits, Y2K classics & EDM. Find the greenest clothes you have❗ Bring the PLUR vibes 💚, shamrock-shake that ass and find the pot of gold at the end of the rainbow🌈. U2 will get Lucky! ☘️🤞

Zero 9:36

Adapting to any setting, Zero 9:36 has toured alongside Shinedown, Neck Deep, Hollywood Undead, Three Days Grace, Asking Alexandria, Nothing More, Bullet For My Valentine, Wage War, The Plot In You, and many others. Zero has made festival appearances at Welcome to Rockville, Louder Than Life, Inkcarceration, and many others. His collaborations are an eclectic list including Travis Barker, grandson, Hollywood Undead, Atreyu, The Warning, and Scarlxrd. Zero 9:36 proudly occupies a lane of his own and in the process has amassed over 50 million streams across DSPs.

James McMurtry and the Martial Law Review

James McMurtry released The Black Dog and the Wandering Boy on June 20th via New West Records.  The 10-song collection was co-produced by McMurtry & Don Dixon (R.E.M., The Smithereens) and is his first album in four years.  It follows his 2021 acclaimed new West debut, The Horses and the Hounds, which UnCut Magazine said “lifts storytelling-in-song to meticulous new levels” and Pitchfork awarded an 8.0, saying “James McMurtry stands out even among the Lone Star State’s finest songwriters…” The Black Dog and the Wandering Boy features appearances by Sarah Jarosz, Charlie Sexton, Bonnie Whitmore, Bukka Allen and more, alongside his trusted backing band, THE MARTIAL LAW REVIEW, Tim Holt on guitar and accordion, Cornbread on bass and Daren Hess on drums. As varied as they are, McMurtry’s new story-songs find inspiration in scraps from his family’s past: a rough pencil sketch by Ken Kesey that serves as the album cover, the hallucinations experienced by his father, the legendary writer Larry McMurtry, an old poem by a family friend.  A supremely insightful and inventive storyteller, McMurtry teases vivid worlds out of small details, setting them to arrangements that have elements of Americana but sound too sly and smart for such a general category. Funny and sad often in the same breath, The Black Dog and the Wandering Boy adds a new chapter to a long career that has young songwriters like Sarah Jarosz and Jason Isbell cite him as a formative influence.

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