Creeping Death & Kruelty
The English Beat
The English Beat is a band with an energetic mix of musical styles and a sound like no other. The band’s unique sound has allowed it to endure for nearly four decades and appeal to fans, young and old, all over the world. When The English Beat (known as The Beat in their native England) rushed on to the music scene in 1979, it was a time of massive social and political unrest and economic and musical upheaval. This set the stage for a period of unbridled musical creativity, and thanks in large part to the Punk movement and it’s DIY approach to making music, artists like The Beat were able to speak out and speak their mind on the news of the day, as in “Stand Down Margaret”, things that mattered to them and the youth culture, as in “Get A Job”, and universal matters of the heart and soul, as in their classic hits “I Confess” and “Save It For Later”. The Beat first came to prominence as founding members of the British Two Tone Ska movement, with their classic first album “Just Can’t Stop It” fitting squarely in that genre. Along with their contemporaries The Specials, The Selecter, and Madness, the band became an overnight sensation and one of the most popular and influential bands of that movement. However, band leader Dave Wakeling never felt constrained by the movement. The band crossed over fluidly between soul, reggae, pop and punk, and from these disparate pieces they created an infectious dance rhythm. The band’s sound continued to evolve over their three studio albums, through the General Public era (a band formed by Dave with The Beat’s toaster, Ranking Roger), and it has continued its evolution with the forthcoming English Beat album “Here We Go Love”, a PledgeMusic crowd-funded album set for a 2016 release, the band’s first new album since 1982’s “Special Beat Service”. Consummate showman that he is, Dave Wakeling continues to keep The Beat alive and strong, touring the world as The English Beat with an amazing all-star ska backing band playing all the hits of The Beat, General Public, and songs from his new album “Here We Go Love”. You just can’t stop The English Beat!
Hayes Carll
VIP PACKAGES CAN BE PURCHASED HERE. VIP PACKAGES ARE AN ADD-ON EXPERIENCE AND DO NOT INCLUDE A TICKET TO THE SHOW. We’re Only Human Hayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of us what to do or think. But he is charting out a personal guide for his life, quieting the noise, and sitting with his real voice – the one that’s candid, consistent, and often inconvenient. We’re Only Human is Carll’s tenth album. Like his best lyrics, it is also an understated masterpiece, an honest snapshot of one man’s confrontation and delight with humanity’s biggest and most intimate questions. Where do we find forgiveness for ourselves and grace for others? How do we hold on to peace of mind and stay present? What can we—and should we––trust? And how can we moor ourselves to, well, ourselves, in the midst of confusing, trying times? We’re Only Human offers audiences the chance to listen to Carll as he listens to himself. “I’ve lived outside of myself for so long,” Carll admits. “Distractions, fear, anxiety, insecurity, and the complexity of being human in this world have so often pulled me away from being present or at peace.” “I feel like there’s been a voice riding shotgun all my life, pushing me to do better, but I’ve struggled to listen to it,” Carll says. “The idea behind this record was to do the personal work I needed to do, then codify those lessons in song to serve as sort of breadcrumbs to get me back on the trail if, and inevitably when, I get lost again.” Carll is more than two decades into a celebrated career. Praise from places such as Pitchfork and the New York Times––the latter of which yoked Carll’s ability to tackle tough issues with wry humor to Bob Dylan––punctuate a resume that includes Americana Music Awards and a Grammy nomination. His songs aren’t safe, but many of Nashville’s stars have recorded them, including Kenny Chesney, Lee Ann Womack, and Brothers Osborne. As a solo recording artist, Carll has long-since established himself as one of Americana’s most-played––and most loved––voices. His warm but crackling vocals, wit, and heart dance through wordplay that’s always clever, and never too precious. Through it all, whenever Carll points a finger, it’s most often at himself. As We’re Only Human collects moments of Carll figuring out how to be with himself, the songs feel forthright, hopeful, and timely. In today’s onslaught of instant gratification, rage-baiting headlines, glorified intolerance, and falling empathy, the record is a startling outlier: an artist’s raw, real-life effort to live well—both with himself and others. Carll embraces private epiphanies, and shares them with the world, allowing them to unfold for all to see and share. In the end, Carll’s latest album is a lovingly and purposefully written collection of reminders. “I hope other people find something in it, too” Carll says. “Through it all, I am trying to stay appreciative, knowing that I did what I set out to do: write something that can help me navigate this journey with a little more grace and peace.”
Samia
Each Samia VIP Experience Includes: • One (1) GA ticket to the show • Early access to venue + merch table • Intimate acoustic set and Q&A with Samia Bovine excision, a mysterious phenomenon involving the bloodless surgical removal of cattle organs, serves as the eerie inspiration for the opening track of Samia’s third album, aptly titled Bloodless. Her voice flows through the evocative lyrics with ease, weaving through the gentle strum of a lone acoustic guitar. The quiet intimacy builds into a storm of sound, culminating in Samia’s layered, ethereal harmonies that pierce with a haunting, macabre refrain: “And drained, drained bloodless.” These emptied cattle evoke a grotesque vessel she unwittingly nurtured in an attempt to embody something both untouchable and on display, overflowing with infinite projections and capable of driving an unrelenting pursuit of the unattainable. Through sharp images—Diet Dr. Pepper and Raymond Carver as parallel pursuits of minimalism, white underwear and leeches, a Degas dancer poised at the bannister—Samia examines a paradoxical existence where merit transforms into a calculated act of extraction (“I felt the pea, can I eat it?”). This is just one strand Samia weaves into the intricate tapestry of Bloodless. Her 2020 debut album, The Baby, marked a confessional coming-of-age —an intimate love letter to those sentiments that are most difficult to articulate. In her 2023 album Honey, Samia deepens this exploration of young adulthood, offering a more introspective take as she searches for clarity. These releases, including her 2021 EP Scout, alongside her magnetic live performances, have earned her widespread critical acclaim, over 150 million streams, and a devoted fan base who sing along passionately to every word at sold-out shows. She’s also won over new audiences opening for artists like Maggie Rogers, Lucy Dacus, and Courtney Barnett. “I’ve spent the past two decades unintentionally conflating an abstract idea of men with my understanding of God,” Samia explains. “The person I became in order to impress this imagined figure is inseparable from who I am today. With this album, I’ve tried to confront that head-on.” Bloodless explores her relationship with a fragmented, symbolic version of Men—a patchwork of expectations and imagined standards she tried to meet, which ultimately shaped her sense of self. “I suffer from decision paralysis,” she admits, “where I’ll mentally play out every possible choice and endure the consequences in my head. God and Men provide some aspect of relief here in that they will make choices for you. The great thing about God and my Figment Man is that I decide what either of them wants me to do. So, in this convoluted way, I still get to do what I want, while offloading the responsibility.” Recorded in North Carolina and Minneapolis, Bloodless is a richly layered album that shifts seamlessly from sparse folk to sweeping indie-pop epics. Across these thirteen songs, Samia grapples with the hollow form she once embodied—a vessel that gained value through its own absence, until playing dead became its own form of life. With Bloodless, she endeavors to disinter the self buried beneath these carefullyconstructed personas, ultimately reaching a place of acceptance for her whole, imperfect being.
ISITJOSH Debut Album Release Show
INIKO
INIKO Premium VIP Experience Package Includes: One general admission ticket Early entry into the venue Access to a bespoke Music & Poetry Cypher with INIKO Exclusive meet & greet with INIKO Personal photograph with INIKO on the Awakening the Empire set Specially designed INIKO record bag Exclusive merchandise item Official meet & greet laminate; autographed by INIKO Priority merchandise shopping Limited availability INIKO Meet & Greet Package Package Includes: One general admission ticket Early entry into the venue Exclusive meet & greet with INIKO Personal photograph with INIKO on the Awakening the Empire set Specially designed INIKO record bag Exclusive merchandise item Official meet & greet laminate; autographed by INIKO Priority merchandise shopping Limited availability Iniko (they/them) is a genre-defying artist and spiritual storyteller signed to Audio Angel Music Group in partnership with Columbia Records. With a voice that sounds both ancestral and futuristic, Iniko creates music that transcends time, blending soul, trap, alternative, and celestial frequencies into a sound uniquely their own. Their gold-certified anthem “Jericho” catapulted them into global consciousness, laying the foundation for their debut project The Awakening which is a bold and unflinching journey through revolution, divinity, and rebirth. The project features songs like “The King’s Affirmation,” a viral proclamation of self-worth that became a mantra for millions, and “Yosemite,” a powerful declaration of Iniko’s role as a protector of the world and a voice for the meek and the damned. With the deluxe edition of The Awakening, Iniko reveals an even more audacious side, introducing tracks like “God Body”—a fiery trap-drill anthem where they boast about their god-like nature with a rawness and intensity that first captivated fans during their viral On The Radar performance. Whether singing, rapping, or channeling emotion through silence, Iniko’s artistry is deeply spiritual, deeply human, and deeply needed. They are the voice of a generation learning to embrace their truth, their power, and their higher calling. Iniko isn’t just an artist but they are a portal, a movement, and a reminder that we are all divine.
Yoke Lore
Los Angeles based, and New York raised indie pop project Yoke Lore is the solo musical venture of Adrian Galvin, previously of Yellerkin and Walk the Moon. Yoke Lore layers like Bon Iver, beats like M83, and gets to the heart of things like Phoebe Bridgers does. Galvin’s songs combine echoing waves of banjo, vocals, and percussion to create arresting pop music with tactile candor and conviction. Galvin grew up in an artistic family, his mother a director and his father an actor and sculptor. He was immersed in painting, photography, and ballet from an early age, eventually finding his first musical passion in the drums. While pursuing music, his artistry in other disciplines has not faltered, even lending his own designs to all his music’s cover art, as well as choreographing & dancing for some of his music videos. Galvin tours non-stop, playing shows and festivals spanning North America and Europe. His music has amassed 450M+ streams and he has earned an RIAA Gold certification for his hit song “Beige”.
Mae & The Spill Canvas
VIP TICKET INCLUDES: -General Admission ticket -A pre-show performance with two acoustic songs from both Nick (TSC) and Dave (Mae) -Signed VIP poster -VIP laminate -Photo opportunity / Q & A -Early access to merch
Joshua Radin
Joshua Radin’s “Same Star VIP Package” includes: *General Admission Ticket * Admission to an intimate pre-show event with Joshua Radin, where he will play a few songs and participate in a small Q&A session with attendees * Meet & Greet + Photo Op * Signed Tour Poster * Crowd Free opportunity to buy merch Joshua Radin emerged in 2004 as an empathetic, engaging, and often enthralling troubadour. Over the years, he’s tallied north of 1 billion streams, moved 1 million-plus albums worldwide, and scored a gold certification for the single “I’d Rather Be With You.” His music has appeared in over 200 films, television series, and commercials. In addition to multiple showstopping appearances on Ellen (who also enlisted him to perform at her wedding) and Today Show, and performances on The Tonight Show, Jimmy Kimmel LIVE!, and Conan, he contributed “Brand New Day” to a commercial in support of the troops at the request of First Ladies Michelle Obama and Dr. Jill Biden. He’s played to sold out crowds around the globe and shared the stage with the likes of Ed Sheeran, Sara Bareilles, Ingrid Michaelson, Sheryl Crow, Tori Amos and more. Not to mention, he’s a staunch philanthropist who supports Little Kids Rock and North Shore Animal League America (NSALA), among others. Thus far his catalog consists of nine full-length offerings highlighted by fan favorites such as We Were Here, Simple Times, Underwater, Wax Wings, and Here, Right Now. Following the release of his 2021 acclaimed album The Ghost and The Wall, Joshua left his material existence in the rearview, grabbed a backpack, packed his guitar, picked up a pen and a pad, hit the road in search of new stories to tell. Those stories comprise though the world will tell me so, volumes one & two which were released early 2023. During 2025, he turns the page on the next chapter of his career and life with his tenth full-length LP and first independent album since 2017, One Day Home. Immersing himself in the process mind, body, and soul, he pored over these 13 tracks, perfecting each moment and co-producing six tracks with Wally Gagel. This time around, he prepared the music for a double-LP release with one half original studio versions of the tracklisting and the other piano vocal versions. Musically, he taps into two sides of his sonic palette, leaning into soul and singer-songwriter stylings while tracing the journey of a romantic relationship.
BROOKS NIELSEN (of The Growlers)
Brooks Nielsen, celebrated frontman of The Growlers and now a critically acclaimed solo artist, has firmly established himself as one of the most distinctive voices in independent music. As the frontman and creative force behind The Growlers, Nielsen helped define and popularize the Beach Goth movement—a genre-blurring, countercultural wave that left an indelible mark on modern rock. Over more than a decade, The Growlers built a fiercely dedicated international following, performed at major festivals, and sold out venues around the world. Their celebrated discography and electrifying live shows cemented them as one of the most influential underground bands of the 21st century. In addition to their music, The Growlers also founded and curated the Beach Goth Festival, a groundbreaking event that brought together a wildly eclectic mix of artists—from Patti Smith and Bon Iver to Doja Cat and Mac DeMarco—making it a defining moment in the cultural landscape of the 2010s. Now, as a solo artist, Nielsen continues to push boundaries with the same fearless spirit. Since launching his solo career in 2022, he’s released four records—three of them in 2024 alone. His latest, A Ride I’m Waiting For, features the haunting duet “Without Eyes” with Sierra Ferrell and has been praised for its cinematic scope and emotional depth. On stage, Nielsen delivers an experience unlike anything else. Backed by a powerhouse band—Growlers drummer Richard Gowen, keyboardist Cole Riddle, and guitarists J.D. Carrera and Elyadeen Anbar—Brooks crafts a set each night that’s entirely its own. Drawing from his extensive solo catalog, deep cuts, Growlers classics, and unreleased material, his shows are long, loose, and alive. With no opening acts and performances stretching two and sometimes three hours, fans are invited into a world that feels as spontaneous as it does deeply curated. This Fall 2025 run is Brooks’s most ambitious solo tour to date, featuring first-ever solo plays in small towns, Aspen and Fort Collins, CO; Carrboro and Asheville, NC; Madison, WI; Ferndale, MI; New Haven, CT; St. Louis, MO; Boise, ID; Tulsa, OK; and Nashville, TN. There’s also a rare and intimate upstate New York show at the newly revived Bearsville Theatre in Woodstock—a venue rich with music history. In New York City, Nielsen will headline the legendary Webster Hall for the first time, marking his biggest solo show in the city yet—and in Chicago, he’ll play the iconic Metro, a rite of passage for generations of boundary-pushing artists. The 28-date tour wraps with the now-iconic Helloween shows at the Hollywood Palladium in Los Angeles on October 30 and 31—two surreal, sweat-soaked nights that have instantly become a rite of passage for Nielsen’s most devoted fans. Every year, Beach Rats from across the country—and around the world—make the journey for this once-a-year celebration of the strange and the sacred. It’s more than just a show: it’s a Mecca for the hardcore fanbase, a chance to mix with fellow travelers, share stories from the past, and revel in a night of music, mystery, and magic. If you know, you go.