George Clanton
George Clanton doesn’t just produce gleaming electronic pop, he produces nostalgia too. The Los Angeles artist’s process involves tweaking synthesizer presets, but beyond searching for the right melodies and textures, he’s hoping to come upon a sound that strikes a spiritual chord. “I’m looking for something that triggers a memory or an emotion,” he says. His lyrics are direct transmissions from his soul: raw, often off-the-cuff, evocative. When you pair those words with the gauzy textures Clanton’s become known for, his music feels like a dreamy filter you can put over your own memories. Every moment feels a little more colorful, a little more comforting. You can hear the impact of this approach in his upcoming third album—take fuzz-pop anthem “Fucking Up My Life.” The track is both raucous and soothing, and as Clanton’s distorted croons echo across swelling synths and crushing breakbeats, he offers a mantra: “It feels alright.” It’s a fitting return for an artist who’s spent the last decade cutting through the noise. In addition to making music, he runs the 100% Electronica record label with his fellow pop mutator and wife Negative Gemini. He also spearheads events, including weekly livestreams on Twitch. Being extremely online has allowed Clanton’s fans access to the depths of his personality, to connect with his work more deeply. “I think of myself as the ultimate DIY person,” he says. “Working the George Clanton way has made for a really unique career that hasn’t yet been fully recognized.” Growing up, Clanton knew he wanted to be an entertainer, but he didn’t know how. His hometown of Ridgeway, Virginia, had a NASCAR track but no concert venues or record stores. So MTV was his primary education: videos by artists like 311, The Prodigy, and the Bad Boy Records crew taught the art of showmanship. He downloaded a lot of music from Limewire. During one session, a mislabeled download of what he thought was Oasis turned out to be shoegaze band Brian Jonestown Massacre, opening him up to the vast world of underground music on the internet, which led him to help form the scene that would dream up vaporwave. Clanton’s new album finds him both musically and personally matured. It’s an elegant merging of all his past musical selves—of stirring rock, sweeping shoegaze, and niche electronics—augmented with more complex layers and physical instruments. It’s also a journey inwards as Clanton emphasizes personal reflection and self-improvement—themes he’s held close his whole career. “It’s definitely something that I need to get out,” he says of the music. “I want people to know that George Clanton is better than ever and something amazing is coming just around the corner.”
Taylor Fest
Yot Club + Vundabar
VUNDABAR – Fast Track INCLUDES: First Entry Into Venue First Access To Merch Commemorative Laminate Keychain Tote Bag YOT CLUB – Fast Track INCLUDES: First Entry Into Venue First Access To Merch Commemorative Laminate Sticker Sheet Tote Bag
Evan Honer
Evan Honer is a singer-songwriter originally from Surprise, Arizona. Influenced by esteemed artists like Jason Isbell, Tyler Childers and Jim Croce Evan has masterfully crafted a captivating blend of modern outlaw country, indie folk, and alt-pop sensibilities. Despite only being 22 years old, Evan has garnered an impressive 100 million+ streams across platforms and currently is in the midst of recording a highly anticipated new album for 2024. Announcing the launch of his own record label Cloverdale Records and a North American headline tour – Evan prides himself on his DIY attitude, community building and is dedicated to educating & helping other musicians to own their masters, publishing and stay independent as well.
The Traynr Band
Marty Stuart and His Fabulous Superlatives
Country Music Hall of Famer, five-time Grammy-winner, and AMA Lifetime Achievement honoree Marty Stuart picks up where he left off on Altitude, his first new album in five years, exploring a cosmic country landscape populated by dreamers and drifters, misfits and angels, honky-tonk heroes and lonesome lovers. There’s a desert flare to the music here, a sweeping, spacious feel that conjures up wide-open horizons and endless stretches of two-lane highway, and the production is raw and cinematic to match, tipping its cap both to Bakersfield and Laurel Canyon as it balances jangle and twang in equal measure. While it would be easy for an artist as accomplished as Stuart to rest on his laurels, Altitudeinstead showcases the work of a searcher with an insatiable appetite for growth and reflection, one whose ambition, much like his keen wit and rich imagination, only seems to grow with each and every release. Born and raised in Philadelphia, MS, Stuart got his start in bluegrass legend Lester Flatts’ band at the tender age of thirteen, and by twenty-one, he was working in the studio and on the road with Johnny Cash. Though Stuart built his early reputation backing up royalty, it wasn’t long before Nashville recognized him as a star in his own right, and over the course of forty-plus years as a solo artist, he would go on to release more than twenty major label albums, scoring platinum sales, hit singles, and just about every honor the industry could bestow along the way. __ “THE COUNTRY STAR” VIP PACKAGE: Admission to a private pre-show event at venue featuring a two-song performance by Marty and the Superlatives, along with a Q&A Storytelling session with Marty and Band. * One VIP Laminate and Lanyard. * Crowd Free Merchandise Shopping * One special edition poster
The Rocket Summer
Celebrating 20 years of “Hello, good friend.” The Rocket Summer will perform the seminal sophomore album as well as an additional set of songs from each album to date. Dubbed “a master of creating anthems” by Paste Magazine and named by Alternative Press as “100 artists you need to know”, multi-instrumentalist, songwriter and producer, Bryce Avary, better known as The Rocket Summer has been a musical force since exploding onto the scene as a teenager in the early 2000s. With several albums in his growing discography debuting in top Billboard Alternative charts, Avary recently returned with the ever evolved electrified full-length album, shadowkasters, then followed with the stripped down acoustic rooted single, Don’t Be Yourself, which were both named by Rolling Stone as “Songs You Need To Know”. Having performed at Glastonbury, Austin City Limits and Summer Sonic, embarking on sold out headline tours around the world while sharing stages with artists such as Paramore, Goo Goo Dolls, Onerepublic, Switchfoot, Third Eye Blind, All Time Low and more, fans have flocked to Avary’s optimistic and exuberant song craft, polymath instrumental live show, and the fan community it inspires – an atmosphere which can be heard captured on the live album, His Instruments and Your Voices. “We’re not talking simple acoustic solo stuff here. The music Bryce makes as The Rocket Summer is lush, explosively catchy and artful power pop that hints at a new Brian Wilson or Prince in the making. Keep an eye out on this one. – Austin City Limits .com”
Arson City
Napalm Death + Melvins
Although the name Napalm Death has existed since 1981, as the band’s first line-up plundered the post- and anarcho-punk scenes for inspiration, it was 1987’s seminal Scum album that would ensure their place in the grand pantheon of heaviness. A visceral dismantling of conventions, it effectively kick-started the entire Grindcore scene, gaining Napalm Death something approaching household name status for their insane speeds, animalistic screams and uncompromising political stance. From that moment, the band became synonymous with both proudly-held ethical principles and the relentless pursuit of new ways to terrorise people with riffs and noise. The Melvins are one of modern music’s most influential bands. Having formed in 1983 Montesano, Washington, the group – founded by vocalist/guitarist Buzz Osborne, with drummer Dale Crover joining a year later – has been credited with merging the worlds of punk rock and heavy music, forming a new subgenre all their own. Over their 40-plus-year career, they’ve released more than 30 original albums, numerous live records, and far too many to count singles and rarities. Recent releases include 2024’s Tarantula Heart, a really good collection of what the Melvins do, what they can do and what they want to do, and Five Legged Dog (2021), an ambitious 36-track acoustic collection that reimagines their heaviest songs alongside covers of their favorite artists. — Throughout their discography, the Melvins have collaborated with Jello Biafra, Mudhoney, and Fantômas for individual releases and toured the world many times over. Remarkably, they had the misfortune to be in both Christchurch and Tokyo for their 2011 earthquakes. In 2012, the Melvins completed the “51 States in 51 Days” (50 states +DC) tour, which was chronicled in the film “Across The USA in 51 Days.” The current incarnation of the band is Osborne, Crover, and Steven McDonald (Redd Kross). Previous line-ups included a pairing of Osborne and Crover with Jared Warren and Coady Willis of Big Business, a four-piece featuring the current trio plus Butthole Surfers’ Jeff Pinkus, as well as Melvins Lite, which partners Osborne and Crover with Mr. Bungle’s Trevor Dunn. Sometimes, if you’re extra lucky, one version of the Melvins will open for the Melvins.
Nada Surf
Moon Mirror, Nada Surf’s new record, has everything fans love and expect from them. Bittersweet anthems that begin quietly but explode into soaring harmonies? Check. Songs that are play-on-repeat heart punches? Check. Songs that are poetic and thought-provoking while also being absolute belt-at-the-top-of-your-voice-with-the-windows-down masterpieces? Check. It’s all here. Nada Surf is Matthew Caws, Daniel Lorca, Ira Elliot, and Louie Lino. Moon Mirror, their first for New West Records, was produced by the band and Ian Laughton at Rockfield Studios in Wales. Moon Mirror is a thrilling and moving leap forward for Nada Surf. The songs on the album are true to the human experience—as meaningful and mysterious and sometimes absurd as it is. There’s love, yes, but also grief, deep loneliness, doubt, wonder, and hope. These are not the songs of a band in their 20s. There is hard-won wisdom here, and hard-won belief in possibility—the kind that comes from falling down and getting back up. “Give Me The Sun” (“I’m looking for something/ I can’t say exactly what”), “Second Skin”(“I’m tired of living in this second skin/ I want to let everything in”), and “Moon Mirror”(“connect me to something”) grapple with being present and open, paying attention, and seeking connection in a world that feels alienating with its everything-all-at-once-ness. “In Front of Me Now” is a song against multi-tasking and sleepwalking through the one life we have. The song asks, “Why wasn’t I present? I could have been living,” and shows us a transformation in the chorus: “Today, I do what’s in front of me now.” I don’t know about you, but I need this reminder as much as ever. Nada Surf has been working together for decades, and they’re consistently excellent, but they always surprise me. That’s what great art does. For nearly 30 years, Nada Surf has been a part of the soundtrack of my life. Our lives. I fell hard for the band over Let Go in 2002, and following that, The Weight Is a Gift, in 2005. Those songs are lodged in my body, someplace they’ll never be extracted from. So are songs from The Proximity Effect, Lucky, The Stars Are Indifferent to Astronomy, and Never Not Together, which was my favorite record of 2020. Moon Mirror will take its place among the others, in heavy rotation. Four years ago, during lockdown, I was listening to Nada Surf one morning. My son, then seven years old, was quiet, and then he said, “They sing a lot about love.” What he said next has stuck with me: “It protects you.” Love protects you. If you need convincing, I think Moon Mirror will do just that. Lucky, lucky us to have had Nada Surf’s music with us for all of these years, and lucky, lucky us tohave these new songs now, right when we need them most. —Maggie Smith