GlizzyFest 2025: Day 2
with Taebo, Snake Lucci, Boa, Bobo Thuh Breadboy, Cody Moon, DredayMackoveli, SRT-KG, Loretta Litt, KNR, Jay Lively, Jinx, $ellar Boiz, Mac Knight, Soft Lines, Imaginary Friends, Soda spill, Burn the witch hunters, SJ23 & Brodie1, Rysie, Sellar boiz Decent Dogs served from 4pm – End of Show!
BARONESS RED & BLUE TOUR
Baroness recently surprised Philadelphia-area fans with two performances of the Red Album and Blue Record in their entirety, with both shows sold-out within minutes. The band now brings “The Red & Blue Tour” to The Waiting Room on May 24th. The trek sees the GRAMMY-nominated Baroness revisiting the monumental tracks that established them as one of the most innovative bands of their generation. From the psychedelic-laden “Isak” to the ethereal melodies of “The Sweetest Curse,” the special evenings with the Savannah-born outfit promise to be one of the most captivating tours of the year. The tour will feature a variety of exclusive tour-only vinyl with newly crafted John Baizley artwork, as well as a selection of Red and Blue themed merchandise. “In December, for our annual Philly pre-holiday show, we performed our first two full length albums: Red and Blue,” John Baizley shares. “It was a great experience, unearthing the deeper cuts from those records that had faded from our setlist and it offered a rare opportunity to play some of those songs for the first time ever outside the studio. While I’ve personally never been overly interested in the pure nostalgia of past records, we’ve always found it illuminating to bridge the gap between present and past Baroness by learning and updating/rearranging our earliest material. After the overwhelming and positive response from the Philadelphia shows (and while we’re busy writing our next record) we’re looking forward to taking Red and Blue on the road and sharing the experience with old and new friends alike.” The Red Album (2007) and Blue Record (2009) laid the foundation for what was to come over Baroness’ 20-year-plus career. These two albums introduced the band’s distinctive style, combining crushing heaviness with melodic intricacy, and paved the way for the ambitious scope of Yellow & Green, the GRAMMY-nominated Purple, the grandeur of Gold & Grey, and the expansive creativity of STONE. About Baroness Founded in 2003, Baroness is John Baizley (vocals/guitar), Gina Gleason (guitar), Nick Jost (bass) and Sebastian Thomson (drums). The Philadelphia-meets-Brooklyn foursome have released six full-length albums: STONE (2023), Gold & Grey (2019), Purple (2015), Yellow & Green (2012), Blue Record (2009), and the Red Album (2007). Throughout their career, they’ve garnered widespread acclaim, with the band’s albums regularly featured on year-end best of lists, and 2017 seeing their first GRAMMY® nomination. On their most recent album, STONE, Pitchfork said they “remain one of the most remarkable and capable bands at the intersection of heavy metal, hard rock, and psychedelia.” Brooklyn Vegan described the 10-song collection as “Baroness at their most alive and direct,” while Revolver added: “STONE… is a wild ride, full of triumphant sludge metal, and soaring, shoegazing progressive rock.”
Bad Nerves
The bastard child of a Ramones/Strokes one night stand, Bad Nerves play ferociously fast distorted pop songs and drew acclaim with their previous releases ‘Dreaming’, ‘Baby Drummer’, & ‘Can’t Be Mine’. It would appear to be in the DNA of rock music, particularly punk music, that the music itself happens by some kind of happy accident. Nothing truer could be said of the Essex five piece speed punk band. For frontman Bobby, the formation of the band itself was an unintentional happenstance that just wound up taking off in unexpected but very exciting directions. Did band life choose Bad Nerves or did Bad Nerves choose band life? It’s hard to say. The boys are still reeling from their surprise success. Their self-made, self-funded debut put them in the hearts and minds of the cream of the alternative crop in 2020; from tastemakers such as Dan P Carter to Alyx Holcombe, and from peers like Green Day’s Billie Joe Armstrong to Pearl Jam’s Stone Gossard, Bad Nerves were instantaneously heralded with the poisoned chalice of saviours of a type of punk that promises to never die. They’ve toured with Royal Blood and The Darkness, and have drawn comparisons to Supergrass, the Ramones and Jay Reatard. And despite all that, their pop rock is a unique – and very fast – whack over the head that reminds us all of the future life left in hell-raising loud and fast music. Bad Nerves have been blazing at two hundred miles an hour across the live circuit for a few years now, and are showing no signs of slowing down. Despite the speed and chaotic nature of their music, they have taken great pride in challenging the traditional punk method, by playing tight and trying to replicate the sound of their record in the live setting. “We wanna deliver the songs well,” says bassist Jon. And that’s why people have taken notice. Bad Nerves set the bar much higher. One of the band’s most iconic gigs to date was a headliner at Sebright Arms in London in 2022, which was so electric they decided to release a live recording of it. “I’m surprised no one died that night,” says Jon. “That ceiling is so low! I’ve never seen so many people sweat. It was crazy. We were all sick afterwards.” The magic of rock music is in the chaos of the live performance. Bad Nerves understand that. They chase it. They crave it. They know how to create it. “My favourite Ramones record is the live one,” says Bobby. “The stakes are high. That’s what makes it.” The future is loud for Bad Nerves. They proactively seek to make the type of in-your-face, opposite-of-sterile, rock music that the genre was built on. They want to play as much as they can for as long as possible, in the hope of inspiring the next generation, before it’s too late. It feels as though they have arrived just in time.
The Faint – SOLD OUT
VIP TICKET INCLUDES: -One general admission ticket -VIP early entry into the venue -Exclusive meet & greet with The Faint -Personal photograph with The Faint -Intimate Q&A with The Faint -Collectible tour poster; autographed by The Faint -Specially designed tote bag -Official meet & greet laminate & lanyard -Priority merchandise shopping -Limited availability
Save Ferris
Formed in 1995, Save Ferris remains one of the seminal and most beloved bands from the third wave of ska. The group’s Orange County home was fertile ground for a thriving music scene, with punk, rock, and ska emerging from the region. Save Ferris blended the best elements of these sounds to help bring the region’s sound to the world. The group’s humble beginnings saw them play house parties and local venues, powered by Monique Powell’s high-octane vocals. Save Ferris’ live show instantly became a hit. As the word spread, the band got a much-needed boost. Legendary KROQ DJ Rodney Bingenheimer got a hold of the band’s self-released album. He played their cover of Dexys Midnight Runners “Come on Eileen” on his Rodney on the ROQ show and the response was overwhelming. Soon thereafter, Kevin Weatherly picked up the song and it was added to the legendary taste-making rock station’s rotation. All of this happened independently without a record label and with Powell serving as the singer and band manager. Major labels started noticing the buzz that was emanating from Orange County. In 1996, the band won a Grammy showcase award for best unsigned band, and with Epic Records’ David Massey as one of the judges, Save Ferris would sign with the label. Epic re-released the Introducing Save Ferris EP and, in 1997, Save Ferris unleashed their debut album, It Means Everything. Save Ferris toured the world for the better part of the next six years, with 1999’s Modified released during that time. In 2003, the band went on a hiatus. Starting in 2004, Powell switched gears and used her vocal talents to become a go-to studio musician. She appeared on albums for The Used, Goldfinger, Foxy Shazam, Lost Prophets, Mest, and Hilary Duff, among many others. Slowly, however, Powell started having health issues. In 2015, after years of painful back issues, she underwent a risky procedure to fix her broken neck that could have damaged her greatest musical weapon: her vocal cords. Ahead of the procedure, Powell made a promise to her father, who had been begging her to return to the stage: if the surgery was successful, she’d bring back Save Ferris. And it was a success. That year, Powell, with a new cast of characters, reformed Save Ferris. The hype surrounding the band was massive. After months of rehabilitation, Powell brought Save Ferris home to Orange County where it played a sold-out show at the Pacific Amphitheater in Costa Mesa. Another giant show at the Santa Monica Pier, with over 20,000 people in attendance, was put out on vinyl. These raucous shows proved that the band wasn’t just back, but ready to roar. Through a crowdfunded campaign in 2016, Powell and her bandmates went into the studio to record a new EP. Titled Checkered Past, the collection was released the following year, and produced by John Avila of Oingo Boingo. The EP featured an appearance by Neville Staple of The Specials, one of Powell’s favorite artists. Following Checkered Past’s release, Save Ferris played the entire 2017 Warped Tour on the main stage, headlined shows, and played festivals across the world. The future is as bright as it has been for Save Ferris in a long time. Powell scrapped a record she wrote prior to the pandemic and is currently at work on the first new Save Ferris album in nearly two decades. The band recently packed the House of Blues in Anaheim, playing in front of fans of all ages. Powell is the centerpiece of the action. Her dazzling on- stage presence continues to wow audiences and the band’s energy is infectious. Save Ferris are out to prove that they’re no nostalgia act, with their best days still ahead of them.
Sarah Kinsley
New York’s Sarah Kinsley is fascinated by creating imaginary worlds and alternate realities. She tries to conjure these with her music, but it requires the unlocking of one’s imagination to really go there. Sarah encourages you to try it though. We all need an escape. Born in California, and raised in Connecticut and Singapore before returning to New York to attend Columbia University, this perfectly unusual leftfield pop singer, songwriter, and multi-instrumentalist (Sarah plays the piano, synth, guitar, ondes Martenot, glass bowls, and some violin on her recent debut album Escaper) studied music and was creating much positive noise and conversation online long before she had signed a record deal. Everything she was putting out was home-spun; selfproduced, self-written and self-performed. Sarah made a habit of documenting her process, and it was one such video, uploaded in response to the misconception that “Women don’t produce music” that documented Sarah recording the sounds of tapping on a desk, opening a door, switching on a light, thumping on a mattress and flicking a wine glass, splicing them all together and forming the introduction to a prior EP track, Over + Under, that captured the imagination of a young audience who have been feverishly following her every move since. Sarah grew up in the world of classical music, studying the likes of Chopin, Debussy, and Ravel. She started out behind the piano before playing violin in the perfectionas-necessity world of orchestra. Meanwhile, this disciplined student of music was a teenager falling in love with the exciting, “unsubstantial” pop music that dominated Top 200 radio. Debut LP Escaper in some ways marries many of those unlikely contexts—substantial pop that flowers with lush string arrangements. “I’m just such a sucker for massive, grand songs,” she says. “I think it’s the classical musician in me who loves symphonies and the magnum opus effect.” Named one of Vevo’s Artists to Watch in 2024, Sarah has met sold out audiences singing her songs in unison right across the US and Europe. There’s something very communal about the experiences that Sarah and her band manage to evoke. The young crowd is feverish, greeting each song like an old hit, and forgetting themselves for some time in her company, allowing Sarah to massage their imaginations. Support tours, headline tours, and early festival appearances – it’s as exciting to her fans in the UK and Europe as it is to those in the US. They’re turning up in their droves and traveling miles and miles (and miles) to see her.
Tikka Talk’s Grand Opening + Stop Light After Party
Get ready for an unforgettable evening as Tikka Talk, Omaha’s newest and most exciting Indian food truck, makes its grand debut! DINNER + DRINKS 7:00-9:30pm (NO COVER) Indulge in the bold, authentic flavors of India with a modern twist. From mouthwatering butter chicken to crispy samosas, we’re bringing the spice and flavor straight to your plate! Groove to live DJ beats Enjoy delicious food Fun vibes all night long Don’t miss out on this epic launch event! Bring your friends, family, and your appetite for a night full of fun and flavor. Let’s make this opening a night to remember! STOP LIGHT AFTER PARTY (TICKET REQUIRED) Stick around for a night of dancing! After food + drinks, music starts at 10pm. 2 tickets for $10 Valentine’s Day Couple Special until Feb 10th. Group ticket special of 4 for $30.
Hybrid Theory: The Ultimate Linkin Park Tribute Act
James McMurtry
Surfer Rosa
Every few years the musicians of Surfer Rosa take a break from their other Omaha bands to rock out Pixies-style for a one-off show. It’s an excuse to hang out with friends and celebrate the music they love together. And they nail it.