Giovannie and the Hired Guns
Since their inception in 2015, Giovannie and The Hired Guns have made a blockbuster career out of wildly defying expectations. With a visceral sound that merges alt-metal, Red Dirt country, Latin pop, Americana, and much more, the Stephenville, Texas-based five-piece have ascended from playing local honky-tonks to taking the stage at major festivals and arenas across the country, drawing an ardent crowd ranging from cowboys to metalheads to skate punks. As they continue their colossal rise—a journey that’s included scoring a No. 1 radio hit with their smash single “Ramon Ayala” and winning the 2023 iHeartRadio Music Award for Best New Artist in Alternative & Rock—Giovannie and The Hired Guns now return with their new album Land of the Lost: a body of work that pushes the boundaries with even more intensity, matching its explosive riffs and unforgettable hooks with the band’s most brutally honest songwriting to date. Produced by Johnny K (Megadeth, Sevendust, Plain White T’s), Land of the Lost marks the fourth full-length from Giovannie and The Hired Guns (frontman Giovannie Yanez, guitarists Carlos Villa and Jerrod Flusche, bassist/tuba player Alex Trejo, and drummer/pianist Milton Toles) and second LP since signing with Warner Music Nashville through a first-of-its-kind partnership with Warner Music Latina. While the band have always brought a powerful emotionality to their lyrics, the album embodies an unfiltered urgency that has much to do with Yanez’s processing a number of life-altering troubles in real-time, including the death of a close friend and his own relapse into addiction. Recorded at the famed Sonic Ranch (a residential studio near the Mexican border in Tornillo, Texas), Land of the Lost ultimately supplies the kind of catharsis that can only come from exorcising your demons and bravely moving toward a better future. “When I first listened back to this album I realized I wasn’t all there for some of the songs; I was so blinded by the suppressants that I thought were helping me out,” Yanez admits. “But it feels good to look back and know that I made it out to the other side. I hope it ends up helping people realize that there’s always hope no matter how bad things seem. There’s always a tomorrow.”
Teenage Bottlerocket
They’ve toured the world countless times. They kept the leather jacket-and-Converse look alive through an increasingly neon landscape. They’ve written songs about KISS, Top Gun and Minecraft. Hell, they’ve even been on CNN a few times! Please welcome back to the spotlight Wyoming’s own…Teenage Bottlerocket! With more than 100 original songs already in their catalog, how does the band stay motivated when they’re eight records deep? “We’re always in competition with ourselves,” Carlisle explains. “The real competition is between me and Kody. It’s like, ‘You wrote a song that destroys everything else on this record. Let me try to do that to you real quick. How’s that feel?” And then he comes back and one ups me.“It’s all about the songs,” he continues. “The songs carry this record all the way. That’s not to say there are bad songs on our other records—we have a hard time releasing a shitty song. But these songs are especially great. You know ALL’s best-of record where Allroy is dissecting a musical note? I felt we kind of tapped into that record in a great way, not in a ‘Oh no, they’re experimental now!’ way. This is a Teenage Bottlerocket record through and through, but there’s a lot of hidden elements.” Carlisle’s pride about their latest album, Sick Sesh!, is obvious, but he’s not the only one who loves the album. “Fat Mike called me and said, ‘Hey, this is your best record,” Carlisle recalls. “I said, ‘Cool,thanks for noticing.’” Given that the band is already two decades old, however, is there any chance of the band slowing down? Carlisle shoots that idea down right away.“I want to have the best next 10 years,” the singer says. “We’ve grinded the grind. Now we get to actually enjoy being a band, and not think too much about different ways to try and ‘make it.’ We’re riding this wave we built ourselves. I wanna surf it for another 10 years.”Well there you have it: The three things in life you can always count on are death, taxes and Teenage Bottlerocket.
Bennie & The Gents: Bennie Does Bowie IX
Testing, testing, ground control to Major Tom. It is that time again ladies and gentlemen when Bennie & The Gents spend an entire evening paying tribute the only and only David Bowie. This show has grown to be legendary and is an epic evening of music and showmanship. Do not miss out on this special one night only event.
Arson City
Napalm Death + Melvins
Although the name Napalm Death has existed since 1981, as the band’s first line-up plundered the post- and anarcho-punk scenes for inspiration, it was 1987’s seminal Scum album that would ensure their place in the grand pantheon of heaviness. A visceral dismantling of conventions, it effectively kick-started the entire Grindcore scene, gaining Napalm Death something approaching household name status for their insane speeds, animalistic screams and uncompromising political stance. From that moment, the band became synonymous with both proudly-held ethical principles and the relentless pursuit of new ways to terrorise people with riffs and noise. The Melvins are one of modern music’s most influential bands. Having formed in 1983 Montesano, Washington, the group – founded by vocalist/guitarist Buzz Osborne, with drummer Dale Crover joining a year later – has been credited with merging the worlds of punk rock and heavy music, forming a new subgenre all their own. Over their 40-plus-year career, they’ve released more than 30 original albums, numerous live records, and far too many to count singles and rarities. Recent releases include 2024’s Tarantula Heart, a really good collection of what the Melvins do, what they can do and what they want to do, and Five Legged Dog (2021), an ambitious 36-track acoustic collection that reimagines their heaviest songs alongside covers of their favorite artists. — Throughout their discography, the Melvins have collaborated with Jello Biafra, Mudhoney, and Fantômas for individual releases and toured the world many times over. Remarkably, they had the misfortune to be in both Christchurch and Tokyo for their 2011 earthquakes. In 2012, the Melvins completed the “51 States in 51 Days” (50 states +DC) tour, which was chronicled in the film “Across The USA in 51 Days.” The current incarnation of the band is Osborne, Crover, and Steven McDonald (Redd Kross). Previous line-ups included a pairing of Osborne and Crover with Jared Warren and Coady Willis of Big Business, a four-piece featuring the current trio plus Butthole Surfers’ Jeff Pinkus, as well as Melvins Lite, which partners Osborne and Crover with Mr. Bungle’s Trevor Dunn. Sometimes, if you’re extra lucky, one version of the Melvins will open for the Melvins.
The Get Up Kids
In the two and a half decades since the release of their landmark second album Something to Write Home About, the four core members of The Get Up Kids —Matt Pryor, Jim Suptic, Rob Pope, and Ryan Pope —have explored side projects, helmed solo ventures, and held stints in high-profile bands. They’ve also started businesses, found spouses, and raised kids. Still, run into them on the streets of Lawrence, Kansas, these days, and you’ll find that —perhaps beneath a beard —each has retained the high-spirited, unwavering authenticity that fans stood feet from at basement shows before the band’s sophomore breakthrough. Something to Write Home About has landed in a similar place: recognizable as the same electrifying, scrappy album it was upon release, but also transformed by time into one of the most seminal records of the band’s scene. And to mark 25 years since itsarrival, The Get Up Kids will perform the album in full throughout a lengthy North American headline tour. Released in September of 1999, Something to Write Home About has been established as an important late-millennium rock-and-roll document; a convergence of power pop, alternative rock, and punk, it provided the parameters for emo’s Midwest-centered second wave. Youthful yet assured, the album expands and refines the sound of the band’s 1997 debut Four Minute Mile. Amplified and acoustic guitars by Pryor and Suptic are coupled with keys and synths provided by former member James Dewees. Throughout, strings and celeste mesh with pop-indebted harmonies as the Pope Brothers’ rhythm section propels each song. The lyrics, carried primarily by Pryor’s pugnacious vocals, use relationships as a springboard to explore betrayal, conviction, and ambition. His plainspoken poetry is in turn direct and oblique, all kindling for fresh fires in addition to those already burning for decades of faithful listeners. The upcoming Something to Write Home About anniversary tour will be a chance for fans to rediscover the album or to revel in a classic they’ve never forgotten, and experience it live with the brash, big-hearted band that loves it as much as them. “Anybody can start a band when you’re 20 and go on tour and have a couple of years of fun with that. But what it became, at least to us, is the reason that we can still do this now,” says Pryor. “We are doing this as a celebration, and we’re going to have a party every night on stage.”
Damones New Years Party
NYE with Secret Weapon
Criteria
The Conduit Live Friendsgiving 2024
Featuring Matt Cox and Aly Peeler as Special Musical Guests DJ: Mr. West on the 1’s & 2’s Mentalism & Magic by Tricky Trev A night of music, dancing, fun, magic, and more!! A Can’t miss night to usher in the holidays! Friendsgiving 2024! Assembly Of Assassins: Kris Lager on Guitar/ Vocals Joe Donnelly from Gallivant on Bass Matt Wallace on Sax Travis Potter on Trumpet Michael Pujado on Percussion Justin Fischer from Omaha Street Percussion on Drums Alex Olsen on Keys