Genre: Rock

In Her Own Words x Every Avenue

For the last decade, In Her Own Words have quietly become one of the most beloved and consistent voices in modern pop punk, building a dedicated fanbase through brutally honest songwriting, massive singalong choruses, and the kind of emotional connection that only comes from lived experience. In 2026, the band celebrates the 10 year anniversary of their breakthrough album Unfamiliar, the record that helped define a generation of emotionally charged pop-punk and introduced fans to songs that still hit just as hard today. From bedroom speakers to packed clubs around the world, Unfamiliar became more than just an album. It became a soundtrack for growing up, falling apart, and figuring yourself out along the way. To celebrate the milestone, the band will be performing Unfamiliar in full on a special anniversary co-headline tour alongside longtime scene favorites Every Avenue. Bringing together two bands whose songs helped shape the soundtrack of the late 2000s and 2010s emo and pop punk scene, the tour is designed as both a nostalgic celebration and a reminder of why these songs continue to resonate with fans years later. While the anniversary tour celebrates the album that changed everything for the band, In Her Own Words aren’t simply revisiting the past. Behind the scenes, the band has spent the last year working on a brand new full-length album, one they describe as their most ambitious and emotionally honest material to date. With new music expected in 2026, this tour marks both a celebration of where the band came from and the beginning of an entirely new chapter. —- Every Avenue is a Michigan-born alternative rock/pop punk band known for the nostalgic anthems that helped define the late-2000s Warped Tour era. After multiple years performing on Warped Tour and worldwide touring alongside Boys Like Girls, The Summer Set, New Found Glory, Secondhand Serenade, and Yellowcard.  The band built a loyal international following through fan-favorite tracks like “Tell Me I’m a Wreck” and “Mindset.” Now returning with renewed momentum, Every Avenue is making their official comeback in 2026 with plans to release new music and launch a six-week U.S. legacy tour alongside In Her Own Words — bringing the energy, emotion, and nostalgia of the golden pop punk era back to stages across the country. —- Public Works came ripping out of New Jersey this past year. After years of releasing music and content under different names and genres, Public Works fell back into his roots. His single “Long Island” took the internet by storm and launched his name around the world overnight. Public Works has not slowed down since, releasing a song a month, along with a 5 track EP titled, “Pocket Knife” in June 2025. His shows are.. let’s just say eccentric. After his first run of shows in the north east in April of 2025, Public Works found a new obsession in connecting with fans through performing. It’s something you have to see in person. —- FELICITY is an Orlando-based “trash rock” band formed in 2013, blending pop-punk, hard rock, and metalcore

Silverada

Mike Harmeier was still in his early 20s when he formed the band now known as Silverada. From the start, they were the definition of a workingman’s country band, cutting their teeth with five-hour sets on Austin’s dancehall circuit before spreading their music to the rest of America. By the early 2020s, they’d become global ambassadors of homegrown Texas music, flying their flag everywhere from Abbey Road Studios (where they recorded 2019’s Cheap Silver & Solid Country Gold with help from the London Symphony Orchestra) to the Grand Ole Opry. The band’s newest self-titled album, ‘Silverada’, marks a new chapter in the band’s history. It’s not just the title of the boldest release of the group’s critically-acclaimed career; it’s also the name of the reinvigorated band itself.  “Back in the day, all we wanted to do was play the Broken Spoke,” says Harmeier, nodding to the hometown honky-tonk in Austin, TX, where Silverada began sowing the seeds for a sound that mixed timeless twang with modern-day dynamics. “We had different aspirations back then. We were still figuring out what kind of band we were gonna be, and that took a lot of time and a lot of records.”  A lot of records, indeed. Silverada marks the group’s ninth release, and it balances the strengths they’ve accumulated along the way – sharp, detailed songwriting that bounces between autobiographical sketches and character studies; gorgeous swells of pedal steel that drift through the songs like weather; a rhythm section capable of country shuffles, hard-charging rock & roll tempos, and everything in between – with a willingness to break old rules and open new doors. “Radio Wave” is a roots-rock anthem for the highway and the heartland, peppered with Springsteen-worthy hooks and War On Drugs-inspired atmospherics.  Harmeier wrote the bulk of Silverada in his backyard studio, surrounded by dozens of books he’d picked up at a local Goodwill. “We’d been on tour for so long, playing the same set for almost two years, and I wanted to write something that was a departure,” he remembers. There’s a smart sense of history here – a celebration not only of where the band is headed, where they’ve been, too. Even so, Silverada doesn’t spend much time looking in the rearview mirror. Instead, it keeps its gaze focused on the road ahead. This is a snapshot of a band in motion, chasing down the next horizon, writing the soundtrack to some new discovery. It’s the sound of alchemy, of some new metal being forged. And like silver itself, Silverada shines brightly.  “We spent the first part of our career figuring out who we are and what we’re good at,” says Harmeier. “Now we want to evolve not only the sound of the band, but the dynamic of the live show, too. Silverada is us setting the stage for the next leg of the journey.”

Failure

Magnified VIP Includes:  -One General Admission Ticket -Early entry and watch soundcheck -Hang with the band -Professional photo and autograph -Laminate and lanyard -Exclusive lapel Pin -Exclusive Location Lost tote bag -10% off on merch, and first access.    For a band so closely associated with weight, density, and mass, Failure have spent much of their career writing about what happens when those things fall away. Bodies drift. Memories fragment. Signals distort. Gravity fails. But even after 30 years, the hugely influential trio of Ken Andrews, Greg Edwards, and Kelli Scott are still following the sound wherever it leads, even when it’s uncomfortable, unfamiliar, or disruptive. Location Lost, the band’s seventh album and their fourth since improbably reuniting in 2014 after a 17-year-hiatus, doesn’t arrive as a victory lap or a nostalgia exercise. Instead, it sounds like a band actively negotiating where — and who — they are now. “It’s very different,” Edwards says plainly of the nine-song follow-up to 2021’s Wild Type Droid. “There are sounds and parts that really don’t have any precedence within the Failure world.” That sense of divergence is inseparable from how Location Lost came together. Following Wild Type Droid, Failure completed a long-gestating documentary (Every Time You Lose Your Mind) and concert film (We Are Hallucinations) that chronicled their history, drug-marred breakup, and improbable second life playing for a newfound younger and more diverse audience.  Almost immediately after finishing the film, Andrews suffered a serious back injury that required surgery. The operation was technically successful; the recovery was not. “It kind of messed up my brain chemistry somehow,” he says. “It wasn’t just physical recovery.” By late 2024, Failure were finally able to begin recording in earnest. As with Wild Type Droid, Andrews, Edwards, and Scott rented a studio and spent weeks improvising together as a trio, recording hours of unfiltered material without overthinking where it might lead.  When Andrews took the sessions back to his L.A. home studio and began shaping them into songs, something unexpected happened. “I had a burst of creativity—especially lyrically. Since we rebooted, Greg’s been the more dominant lyrical force. That completely flipped on this record,” but not before Edwards suggested the song “Location Lost” also serve as the album’s title. “It resonated with me immediately, because at the beginning of making the record, I was lost,” Andrews says. “I lost my tether of love for the band. By the time we finished it, I felt totally reconnected.” Throughout, Location Lost delivers dose after dose of Andrews, Edwards and Scott’s utterly unique creative and instrumental interplay, from the warning bell-like guitar chimes on propulsive opener “Crash Test Delayed,” to the elastic, bass-driven groove of “Halo and Grain” and the grinding, methodical wall of sound on “Solid State,” which wouldn’t have sounded out of place on 1996’s all-time-classic Fantastic Planet. Three decades after Fantastic Planet, Failure is not attempting to relive the past. They’re still improvising, still arguing, still trusting one another enough to risk uncertainty. And while Location Lost doesn’t pretend to offer easy answers, it documents a band in motion, untethered and searching — and, against all odds, still very much alive.

The Mezcal Brothers ft. Dave Gonzalez

The Mezcal Brothers – Final Farewell Show After 28 years of rock ’n’ roll, The Mezcal Brothers are preparing to say their final goodbye. The band will be releasing their final studio album, Bing Bang Boom, marking the closing chapter of a remarkable journey that helped define roots rock and rockabilly in Nebraska and beyond. This release, and the shows that follow, will stand as a celebration of the music, the memories, and the brotherhood forged over nearly three decades. Joining the Mezcals on stage for this historic Farewell Show will be guitar legend Dave Gonzalez of The Paladins. This final performance will also serve as a heartfelt tribute honoring their fallen brother, Benjie Kushner, whose presence, passion, and legacy remain forever woven into the soul of the band. One last album. One final night.

moe.

Thirty-five years ago, a posse of University of Buffalo-based musician-friends got together to play music. Out of freewheeling sessions bursting with bold, genre-defying creativity and tongue-in-cheek humor, a 6-headed monster named moe. emerged.  Decades later, moe.’s tireless work ethic, DIY resourcefulness, infectious songwriting, and highly-engaged fanbase—the Famoe.ly—have enabled the sextet to earn a successful career. Yet, the guys have never rested on their laurels as “jam band pioneers.” They average 100 shows per year, and regularly release vital new music, including the band’s latest album, Circle of Giants (ATO), its 13th release. Circle of Giants was almost all tracked when bassist/vocalist Rob Derhak’s 25-year-old son died tragically, but it’s no downer. Visceral and vulnerable, the 10-collection confronts life’s challenges with grace, humor, hard-fought wisdom, and jaw-dropping musicality. Creatively-invigorated by the addition of keyboardist Nate Wilson to the full-time lineup, moe. has created a milestone album while processing an unfathomable loss.  moe. is a brotherhood, featuring Derhak, Schnier, guitarist/vocalist Chuck Garvey, drummer Vinnie Amico, percussionist/vibraphonist Jim Loughlin, and keyboardist Nate Wilson. The six-piece band came up in the primordial pouch of the early jam band scene, alongside Blues Traveler, Spin Doctors, Widespread Panic, and Phish. Lauded by American Songwriter for its “mind-bending musicality,” moe. is beloved for its sonic adventurousness, unbridled showmanship, and its witty and insightful songwriting. NYS Music has said: “moe. has redefined what’s possible within the genre, leaving a lasting impact and challenging listeners to rethink the limits of musical expression.”  Since releasing its foundational album, Fatboy, in 1992, moe. has issued a vast and varied series of now-classic records. Select studio album highlights include 1998’s Tin Cans & Car Tires; 2004’s Wormwood; 2007’s The Conch (which reached #1 on Billboard’s “Heatseekers” chart); and 2012’s critically-acclaimed What Happened To The La Las. ###

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